Legal full-text edition
«Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII)
Unknown author · 2018
Printed plays,Juan Eugenio Hartzenbusch,Actors’ roles,Variants,Editing, reading, performing dramatic texts,Notational trascriptions,Lope de Vega,Calderón de la Barca,Textual studies,Stage copies,Graphic indications,El castigo sin venganza,Editor’s choices,Copyists,Locations,NeoLachmannian method,Performative variants,Theatre,Onstage,La corona de Hungría,Autograph manuscripts,Scribes,Aside,Portuguese theatre,Manuscripts,Verbal forms,Digital edition,Editorial criteria,Critical edition,Stemmatics,Editing,Producing the stage,Stage directions,Lope de Vega’s autographs,Dutch adaptations,La dama boba,Vera Tassis,Autograph comedies,Holograph manuscripts,Spanish Theatre of the Golden Age,French theatre of the sixteenth and seventeenth ce,Textual Criticism,Textual criticism
Rights
Public-domain status shown for GLOBAL. DOAB open-access record with explicit license: CC-BY