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Negative, Nonsensical, and Non-Conformist
Suzuki Seijun, Nikkatsu, yakuza, 1960s cinema, film theory, diegesis, diegetic, classical cinema, studio system, exploitation, Japanese film, gangster movies, popular genre, aesthetics, global cinema, Japanese cinema, post-war cinema, negation, auterism, auteur, film director, New Left, New Wave, cult film, genre film, prostitution, Japanese New Wave, nuberu bagu, hard-boiled, film noir, Classical Hollywood cinema, film and philosophy, film and philsoophy, avant-garde cinemathema EDItEUR::J Society and Social Sciences::JB Society and culture: generalthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
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Public-domain status shown for GLOBAL. DOAB open-access record with explicit license: open access
Public-domain status shown for GLOBAL. DOAB open-access record with explicit license: open access